Shannon Kernaghan Shannon-with-mug-768x1024 Mixed Media

Big Cache Art: an accumulation of items stored away for future use.

I am inspired by items discovered and uncovered in unexpected places. From discarded gouging rods scattered outside a bridal shop to coins unearthed on a beach, currency distant in both time and origin. Objects generate wonder about their beginnings.

From paste gems scattered after a broken piñata in the park and burned photos blown down a lane to a bag of small gears dropped outside a pizzeria – everything is collected.

For as long as I can remember, I haven’t kept my head in the clouds but more at street level, eyes always searching for items that others throw away. I am especially drawn to found photos, with their enigmatic subjects and moments captured in time.

My themes are sometimes playful, sometimes political, and often detour to the past. Working with mixed media takes the non-valuable to the in-valuable. I am motivated by scenes and events as near as the North American neighborhoods I’ve lived and as far as the European landscapes I’ve toured.

I’m frequently asked how I know when a piece is finished. That answer is easy – the objects and elements tell me when the piece is done.

But. The more difficult question is how does a project begin? The reveal process is more challenging; themes circle me for weeks, months, like prodding buzzards. The only way to quiet the outside noise is to surround myself in my cache and colors where the stories will unfold.

The preferred choice of ‘canvas’ is usually wood boards. Paint, draw, destruct, forage and reconstruct, in varied order. My latest work is an exploration and compilation of cast-offs. When ready, the objects speak until each becomes insight for creations with diverse media, elements, colors, textures and stories.

Welcome to Big Cache Art where found objects find new narratives.

                             “Eat Crow,” 2020

Acrylic, metal and paper on wood board. 30.48 x 21.59 x .635 cm. (8.5 x 12 x 8.5 in.)  If forced to ‘eat crow’ and admit you were wrong, Kernaghan has loaded this humble pie with shiny and colorful ingredients.
                   Enjoy the heavy metal flight!

 “I Am Crow,” 2020

Acrylic, metal, paper & pearls on wood board. 20.32 x 30.48 x .635 cm. (8 x 12 x .25 in.) There’s a whimsical myth that crows like to collect shiny objects. To continue the legend, Kernaghan used shiny objects from her own collecting – an apt title for this
‘pica pica’ piece.

“As the Crow,” 2020

Acrylic, metal & paper on wood board. 21.59 x 30.48 x .635 cm. (8.5 x 12 x .25 in.) Noisy nuisance or nature’s clean-up crew? You decide. Like art, understanding crows is all about interpretation. Kernaghan is intrigued by these birds – their similar appearance makes it tough to identify female from male and yet crows have the ability to recognize individual human faces!

“A Murder,” 2020

Acrylic, metal & paper on wood board. 20.32 x 30.48 x .635 cm. (8 x 12 x .25 in.) Agents of death? Crows are linked to the magic and mysteries of life. What does it mean when you keep seeing crows? Are you paying attention to the symbols and messages crows bring? Hopefully the only murder is the name given to a flock!

“For Life,” 2020

Acrylic, paper & pearls on wood board. 40.64 x 60.96 x .635 cm. (16 x 24 x .25 in.) Inspired by crows that mate for life, all brides – like crows – are beautiful in their skin . . . or feathers. This piece is built on a wedding dress pattern, layer after layer of hope and anticipation.

“Tutorial: Paint Naked,” 2020

Acrylic & paper on wood board. 41.91 x 62.23 x .635 cm. (16.5 x 24.5 x .25 in.) Drawing inspiration from fashion and nature, the beauty of reclining nudes and crows join powerful forces. Kernaghan’s mixed media piece is influenced by poems and songs. Go ahead, paint naked like nobody’s watching!

“Im/Balance,” 2020

Acrylic & paper on wood board. 40.64 x 62.23 x .635 cm (16 x 24.5 x .25 in.) When Swamp Thing meets The Incredible Hulks meets Godzilla, our worlds could collide. The challenge is keeping global balance – avoid the fall! Kernaghan adds graffiti elements to this
Battle Royale.

“Unfiltered,” 2020

Acrylic, paper & twine on wood board. 40.64 x 60.96 x .635 cm. (16 x 24 x .25 in.) Kernaghan’s graffiti-inspired energetic abstract is loaded with color. The artist invites viewers to fill in the gaps by creating a bridge between perception. Try not to get caught in the everyday swirl of dis/belief.

“Diamond Jack,” 2020

 Acrylic & paper on wood board. 40.64 x 60.96 x .635 cm. (16 x 24 x .25 in.) Ransom-note words and graffiti components are a vehicle for Kernaghan’s artistic expression. Welcome to the British Invasion, then and now, where viewers can complete the story.

“Tutorial: Draw Nude,” 2020

Acrylic & paper on wood board. 40.64 x 60.96 x .635 cm. (16 x 24 x .25 in.) Under the guise of an innocent tutorial simmers the desire for sex in its multitude of angles. The artist’s path is influenced strongly by people and relationships.

“Decree Absolute,” 2020

Acrylic & paper on wood board. 40.64 x 60.96 x .635 cm. (16 x 24 x .25 in.)  Kernaghan is intrigued with how optimism and imagination affect our life’s trajectory. Her narrative is based on the changing dynamics of love and loss – the things we do to capture each other’s affection . . . and then end our conjoined path. Her work is a tale of romance and heartbreak.


“Dead Reckoning,” 2020

 Acrylic & paper on wood board. 40.64 x 60.96 x .635 cm. (16 x 24 x .25 in.) The pull to explore inspires Kernaghan’s artwork. Early mariners used a navigation technique to find the direction and distance traveled by ship. Today, a combo of technology, nature and the human heart continue to
break new trails.

“Writer Brain,” 2019

Acrylic & wax paint, paper, metals on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) From A through Z, Shannon Kernaghan’s Writer Brain attempts to decipher the questions that follow us through the ages. When the person owns books – a symbol for limitless knowledge – the brain increases its chance of unlocking answers.

“Sound Cache,” 2019

Acrylic & wax paint, photo, paper, metal on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) From early roots of ‘home opera’ to current home recording studios, Sound Cache represents an innovative sound leap into the contemporary, from vintage black & white images to the blue skies of technology.

“Young Explorers,” 2019

Acrylic & wax paint, paper on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) Wheels to wings – the lure of adventure has attracted thrill-seekers through the ages. The spinning motion of greens and yellows create limitless skies in Shannon Kernaghan’s mixed media from her Big Cache series.

“Banning Boy,” 2019

 Acrylic & wax paint, photo, metals, paste gems on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) That stop-time sandwiched between the action and the shutter click: impromptu photos with cats reveal tender images set to a concrete wall. Kernaghan softens the environment by building a field of greens and golds that evoke nature and nurture.

“Chantilly Girl,” 2019

Acrylic & wax paint, photo, metals, paste gems on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) Where viewer becomes voyeur – peek inside the model’s tableaux while taking a step back in time. With the use of metals, gems and micro beading, subtle greenery creates the perfect cover.

“Atomic,” 2019

Acrylic & wax paint, paper, metal on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) Anxiety and peril. Science and space. Shannon Kernaghan uses headlines that incite fear and alter lives. Banners torn from newspapers announce protests and violence that contrast the space race. Swirling smears of red, blue and rust represent the underlying maelstrom that aptly defined politics in the 1960s.

“Distant Trails,” 2019

Mixed media on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) Opposing tracks crowd a backdrop of western migration, set with overlapping archival records and vintage photos. Despite sprawling deserts and ranges traveled by settlers, Kernaghan’s multiple trails serve as a reminder of the territorial clashes and uncertain futures for those brave enough to make the journey.

“Postcards,” 2019

Acrylic & wax paint, paper, coin, metal on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) From the Meiji Shrine of Tokyo to Times Square in New York City, Shannon Kernaghan’s merchant marine uncle mailed postcards to her Canadian home for several decades. A constant reminder of the vast world outside the artist’s narrow prairie window whetted her desires – to explore foreign places and meet people featured on those postcards.

“Singe,” 2019

Acrylic & wax paint, paper, metal on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) Shannon Kernaghan incorporates the haunting image of a woman’s face in a burned picture found blowing down a lane. Contrasted by the tableaux of well-dressed women, one setting is relaxed and pampered while the other is agitated and gritty. Both backdrops are frozen in time, a pause that signifies an ever- temporary state of being.

“Voyage En Mer,” 2019

Acrylic, metallic spray & wax paint, paper on wood board. 60 x 40 x .635 cm (24 x 16 x .25 in.) Growing up in the Canadian prairies, Shannon Kernaghan had wide open spaces with room to dream although lacked access to waterways, a frequent theme in her art. In Voyage En Mer, the artist merges ocean voyages with map-as-sail. Kernaghan’s ship navigates to distant shores through a turbulent sea of rich blues and greens. Hope is embodied by a brilliant sun overhead.

“Weld,” 2019

Mixed media on canvas. 25 x 20 cm (10 x 8 in) Gouging rods found outside the door of a bridal shop are the inspiration behind Kernaghan’s Weld – a symbolic marriage of metal and mind. Delicate silver and sapphire gears represent the lace of a wedding dress while dark metals and burlap-formed tracks embody the less elegant road ahead.

“CutUp,” 2019

Acrylic & wax paint, paper, photo, metals on wood board. 30 x 20 x .635 cm (12 x 8 x .25 in.) Where colourful childhood whimsy meets present day marketing ploys designed to hook young minds early with toy-like products as corporate mascots. Shannon Kernaghan juxtaposes a recognizable symbol for fast food with her own photo as young child.

“Distant Shores,” 2019

Acrylic & wax paint, paper, coins on wood board. 30 x 30 x .635 cm (12 x 12 x .25 in.) The boundary between adventure and risk is blurred when wanderlust takes hold! Kernaghan reveals a wayfaring spirit in her work, buoyed by shimmering gold-green waters and a far-reaching blue sky. Coins signal both distant geography and envisioned treasure – all within reach.

Mixed Music

From a fusion of club jammin and electronica to country and rock – all find a home in my mixed music wheelhouse.


From fresh to trippy tunes, Bigger Than Jimmy pushes the scope of what a fusion of techno and electronica should be – optimized for the dance floor with a hard-hitting effervescence. These head-nodding beats are created to wash over you and warp the sound into uncharted territory.

“My Husband Has Begun” is from Bigger Than Jimmy,
a music project/collaboration with songwriter and
mix-master Kraven Cache.

Slip this on for size . . . “Prada and Pie,” my new music collab with mix-master Kraven Cache, from the album
Bigger Than Jimmy.

Groovy! Far out! “I’m Not a Child of the 60s” but I still love to take a trip! The proof is in my song created with mix-master Kraven Cache, from the album Bigger than Jimmy.